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PAE WHITE 1963 Pasadena,
California EDUCATION 1991 MFA
Art Center College of Design, Pasadena, California 1990 Skowhegan
School of Painting and Sculpture, Skowhegan, Maine 1985 BA
Scripps College, Claremont, California SOLO EXHIBITIONS 2009 2
Person exhibition with Daniel Buren, Xavier Huskens , Brussels, Belgium Smoke Knows 1301PE, Los Angeles,
California Lisa Bright and Dark, Taubman Museum of
Art, Roanoke, Virginia Between the
Outside In, New Langton Arts, San Francisco, California Between the
Inside Out, Mills
College, San Francisco, California 2008 Lisa Bright and Dark, Scottsdale Museum
of Contemporary Art, Scottsdale, Arizona 2 Person show with TJ Wilcox, Gavlak, West Palm
Beach, Florida Mr. Baci e
Abracci, galleria francesca kaufmann, Milan, Italy Too Much
Night, neugerriemschneider, Berlin 2007
2 Person show with
Virgil Marti, Hirshhorn Museum and Sculpture Garden, Washington DC Get Well Soon,
greengrassi, London, UK 2006 NW for NZ, Sue Crockford Gallery, Aukland,
New Zealand Midnight, Skestos Gabriele, Chicago,
Illinois In no particular order, Manchester Art
Gallery, Manchester, UK 2005 another cherry blossom, greengrassi,
London, UK Cottonmouth, neugerriemschneider,
Berlin, Germany Bazar, Galerie Ghislaine Hussenot,
Paris, France Periwinkles, 1301PE, Los Angeles, CA In no particular order, Milton Keyes
Gallery, Milton Keyes, UK 2004 Hammer
Museum, Los Angeles, CA Amps and
Ohms, centre d'art contemporain la Synagogue de Delme, Delme,
France Ohms and Amps, Le Salle de Bains, Lyon,
France 2003 Giraffes, Galerie Daniel Buchholz, Cologne, Germany (untitled),
Richard Telles Fine Art. Los Angeles, CA Fire ‘n’
Nice, 1301PE, Los Angeles, CA 2002 Chamois, Sespe and Foggy, galleria
francesca kaufmann, Milan Ghost Towns,
Govett-Brewster Art Gallery, New Plymouth, New Zealand A grotto,
some nightfish and a second city, Contemporary Art Gallery,
Vancouver, Canada The Actual
Tigers, greengrassi, London, UK 2001 1301PE,
Los Angeles, California galleria
francesca kaufmann, Milan, Italy Birds and
Ships, neugerriemschneider, Berlin 2000 China
Art Objects Galleries, Los Angeles, CA 1301PE,
Los Angeles, CA 1999 China
Art Objects Galleries, Los Angeles, CA “W Neapolitan City, 1301PE, Los Angeles, CA 1998 greengrassi,
London, UK 1997 "Animal
Flood", I-20 Gallery, New York, NY 1995 "Summer
Work", Shoshana Wayne Gallery, Santa Monica, CA 1993 Shoshana
Wayne Gallery, Santa Monica, CA 1991 Graduate
Exhibition, Art Center College of Design, Pasadena, CA 1990 “ 1989 Bliss
Gallery, Pasadena, CA GROUP EXHIBITIONS 2010 Whitney
Biennial, Whitney Museum of American Art, New York, NY 2009 Fare Mondi/Making Worlds,
53rd La Biennale di Venezia, Venice, Italy Mind The Step, 1301PE, Los Angeles, CA Notation. Calculation and Form in
the Arts, ZKM Media Museum, Karlsruhe, Germany. Curated by
Dieter Appelt and Peter Weibel. 1999, China Art
Objects Galleries, Los Angeles, CA Contemplating the Void,
The Solomon Guggenheim Museum, New York, NY Curated by Nancy Spector House is Not a Home,
La Calmeterie, Nazelles, France curated by Ingrid Bruchard Summer Group Show, Cottage
Home, Los Angeles, CA Installations Inside / Out:
Armory 20th Anniversary Exhibition, Armory Center for the Arts, Pasadena, CA Curated by Jay Belloli and
Sinéad Finnerty-Pyne In Bed Together, Royal/T, Los Angeles, CA. Curated by Jane
Glassman From My Universe: Objects of
Desire, See Line Gallery, Los
Angeles, California 2008 Cohabitation, 13 artists and collage, galleria francesca kaufmann, Milan,
Italy Shhoener Wohner, neugerreimschneider,
Berlin MEXICO:
Expected/Unexpected, Collection of Agustín et Isabel Coppel,
Maison Rouge, Paris, France Shoes,
Gavlak, West Palm Beach, Florida Martian Museum of Terrestrial Art,
Barbican Art Gallery, London, United Kingdom Introduction, About Change Collection,
Berlin, Germany 100 Years, 100 Artists, 100 Works of Art,
Rochelle School, Shoreditch, London, UK Index: Conceptualism in California from the Permanent Collection, Geffen
Contemporary, Los Angeles Los Vinilos, London, Zoo Fair,
Burlington Gardens, Curated by Henry Coleman Tales of Time and Space, Folkestone
Triennial, Folkestone, UK, Curated
by Andrea Schlieker Aesthetics
of Similarities, Another History of Future; Curated by
Oliver Zybok as part of the Prague Triennale - Re-reading the Future, Veletrzni Palace, National Gallery, Prague.
3 June -14 Sept (exhib. cat.) Variation
1, Wiener Konzerthausses, Vienna, Austria Smoke,
Pump House Gallery, London, Curated
by Implicasphere Construction, 1301PE, Los Angeles, CA Group
Show, China Art Objects Galleries, Los Angeles, CA Under
the Influence, Art and Culture center of Hollywood, Hollywood,
Florida. Curated by Francie Bishop Good, Jane Hart and Michelle Weinberg COLOR,
Rena Sternberg Gallery, Glencoe, IL Curated by Stephanie Skestos Gabriele run
run, Collins Gallery at University of Scotland, Glasgow
International, Glasgow, Scotland, Curated by Alex Frost and Sorcha Dallas Legende, Domaine Departemental de
Chamarande, Chamarande, France, Curated by Alexis Vaillant 2007 Half Square, Half Crazy, Villa
Arson, Nice, France, Curated by Vincent Pecoil Skulpture Projekte Munster 07, Muenster,
Germany If Everybody Had an Ocean,
Tate St. Ives, Cornwall, United Kingdom, traveling to CAPC, Bordeaux. Curated
by Alex Farquarson New
Materials as New Media, Contemporary Arts Center,
Cincinnati, Ohio. Curated by Kippy Stroud Los Vinilos, El Basilico, Buenos Aires,
Argentina. Curated by Henry Coleman The Shadow Cabinet – part II; Route A1,
de Appel, Amsterdam, Netherlands, curated by Petra Heck Six, Williamson Gallery, Art Center
College of Design, Pasadena, California Alone in the Jungle, Mandarin, Los
Angeles, Curated by George Porcari L.A. Desire, Galerie Dennis Kimmerich,
Dusseldorf, Germany, Curated by Wilhelm Schürmann Darling, Take Fountain, Kalfayan
Galleries, Atehns, Greece, Curated by Konstantin Kakanias Uneasy Angel, Spreuth Magers, Munich,
Germany. Curated by Johannes Fricke Waldthausen No Room for the Groom,
An exhibition with Douglas Sirk, Herald Steet, London, UK, Curated by
Gregorio Magnani An Archeology, Zabludowicz Collection, London, UK Sound Art Limo, The Armory, New York,
NY, Curated by Holly Crawford Sculptors’
Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles Michel und seine Freunde, Studio of Michel
Majerus, Berlin, Germany. Curated by Jean and Edith Majerus Running around the Pool, Contemporary Drawings,
Museum of Fine Arts, Florida State University. Curated by Terry Lindbloom 2006 Kit-O-Parts,
CAN, Centre d’Art Neuchâtel, Neuchâtel, Switzerland Collage Effect, 1301PE, Los Angeles, CA We
Can do this Now, The Power Plant, Toronto, Canada New
Acquisitions, Tate, London, United Kingdom Glass, Material Matters,
Los Angeles County Museum of Art, Los Angeles, California. Curated by Howard
Fox, (catalogue) HyperDesign,
Shanghai Biennale, Shanghai, China. Curated by Jonathan Watkins, Gianfranco
Maraniello, Xiao Xiaolan, Lin Shu Min and Huang Du Angela Bulloch, Judy Ledgerwood, Diana
Thater and Pae White, 1301PE, Los Angeles, CA Domestique, Gallery Standard, Oslo,
Norway Curated by Eivind Furnesvik and Salome Sommer Raid Triumverate 4,
Pae White, Machine Histories and Amy Robinson, Raid Projects, Los Angeles,
Curated by Pae White Il diavolo
del focolare, Palazzo
della Triennale, Milan, Italy. Curated by Claudia Gian Ferrari Idylle - Traum und Trugschluss,
Sammlung Falckenberg, Hamburg and Kulturstiftung Phoenix Art. Curated by Oliver
Zybock and Martje Schulz Shape without form, galleria francesca
kaufmann, Milan, Italy Light
X 8, The Jewish Museum, New York, NY. Curated by Ali Gass. China
Art Objects Galleries Group Show (September) Accommodate,
St. Paul St, School of Art and Design, AUT University, Aukland, New Zealand,
Curated by M.J. Karr (catalogue) Among
the Ash Heaps of Millionaires, Ancient & Modern, London,
United Kingdom Jumex Collection, Mexico City, Mexico, curated by Alma Ruiz four decades of the
Govett-Brewster Art Gallery collection,
Govett-Brewster Art Gallery, New Plymouth, New Zealand
2005 Extreme Abstraction, Albright-Knox
Gallery, Buffalo, New York, Curated by Louis Grachos and Claire Schneider. The
Lateral Slip, Sweeney Art Gallery, UC Riverside, Riverside, CA,
Curated by Jan Tumlir Life
on the Screens, Les Filles du Calvaire, Brussels, Belgium, Curated
by Vincent Pecoil Lichtkunst aus
Kunstlicht, ZKM, Museum für Neue Kunst &
Medienmuseum, Karlsruhe, Germany Tracking and Tracing – Contemporary Acquisitions
2000 – 2005, San Diego Museum of Art, San Diego,
California 2004 The Secret History of Clay, Tate,
Liverpool, Curated by Simon Groom. Strike,
ICA, Philadelphia, PA, USA Curated by Gavin Wade. Strange
Weather, Modern Art, London, UK The Raw and
the Cooked, Claremont Graduate University, Claremont, CA
Curated by David Pagel. The Hollows
of Glamour, Herbert Read Gallery, Cantebury , UK. Curated by
Martin Clark. Game,
Ferragamo, Milan, Italy Past
Present Future: Contemporary Art 1950-present, 2003/2004.
The Art Instutue of Chicago, Chicago, Illinois Sign
Language, The Museum of Contemporary Art, Los Angeles, USA 2003 Watershed, Minetta Brook, New York, curated by Diane Shamash. Breathing Water, Hauser & Wirth
& Presenhuber, Zurich, Switzerland. Curated by Ugo Rondinone. Utopia
Station, Venice Bienale, Venice, Italy, Curated by Molly
Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija. Black
Rainbow, Lucky Tackle, San Francisco, CA Curated by Anne
Collier. 160 Master
Drawings, Oldenburg Kunstverein, Oldenburg, Germany, Curated
by Michael Neff. Works for
Giovanni, China Art Objects Galleries, Los Angeles 2002 Cola Grants, Barnsdall Art Park,
Los Angeles, CA LEI ….Women in Italian Collections,
Fondazione Sandretto Re Rebaudengo, Torino, Italy, Curated by Francesco Bonami. Hover,
The Henry Art Gallery, Seattle, WA. Curated by Pamela Meredith. Artist’s Gifts, Musuem of Contemporary
Art, Los Angeles, USA Game,
Ferragamo, New York, NY From the
Flat Files New Zealand, Curated by Brian Butler and Amada Cruz. 3-D, Friedrich Petzel Gallery. New York,
NY, Curated by Mark Fletcher. 2002 hell, neugerriemschneider,
Berlin, Germany Richard
Hawkins, Stan Kaplan and Pae White, Richard Telles Gallery,
Los Angeles, CA Group Show, Metro Pictures, New York, NY Strike,
Wolverhampton Art Gallery, Wolverhampton, UK, Curated by Gavin Wade. Intangible, exposición homenaja a
Luis Barragán, Casa ITESO Clavigero, Guadalajara, MX, Curated by
Carlos Ashida. Strolling
Through and Ancient Shrine and Garden, Acme, Los
Angeles, CA Bosco,
Brain Multiples, JRP éditions, Small Noise, Air de
Paris, Paris, France John
Miller, Pae White and Fred Wilson, Metro Pictures, New York,
NY Shimmering Surfaces,
Arnolfini Museum, Bristol, United Kingdon and Cornerhouse, Manchester, UK
Curated by Catsou Roberts. Center of Attraction,
Contemporary Art Centre, Vilnius, Lithuania, Curated by Tobias Berger August 1 -
31, 2002, LA Louver Gallery, Venice, CA New Work,
New Spaces, The Armory Center for the Arts, Pasadena, CA,
Curated by Jay Belloli. featherweight, Susan Hobbs Gallery,
Toronto, Canada. The
Americans. New Art., Barbican Gallery, London,
Curated by Mark Sladen. Extra Art: A Survey of Artist’s
Ephemera 1960-1999, The California College of Arts
and Crafts, San Francisco, CA. Curated by Steven Leiber The
Cult, China Art Objects Galleries, Los Angeles Deaedalic
Convention, Museum für Angewandte Kunst, Vienna, Austria,
Curated by Liam Gillick. and Annette Kosak Zero
Gravity, Kunstverein, Düsseldorf, Germany Rogue
Wave, LA Louver, Los Angeles Over…,
Unlimited Contemporary Art, Athens, Greece 2000 LA, Monika Sprüth and Philomene Magers,
Cologne, Germany Cheeseburger,
Jürgen Becker Galerie, Hamburg, Germany Circles
˚3, Zentrum für Kunst and Medientechnologie, Karlsruhe,
Germany Made
in California, 1900 - 2001. Los Angeles County Museum of Art Redrawing
the Line, Art in General, New York, Curated by Monica Amor. Sex
in the Country, Forde, Espace d’art contemporain L’Usine, Curated
by Mai Tu Perret. Works
on Paper, Studio Guenzani, Milan, Italy What
if, Moderna Museet, Stockholm, Sweden, Curated by Maria Lind Against Design, Institute of
Contemporary Art, Philadelphia, PA. Curated by Stephen Beyer. 1999 OldNewTown, Casey Kaplan, New York, NY.
Curated by Liam Gillick. Papermake, Modern Art, Inc., London, UK After the Goldrush, Threadwaxing Space,
NY. Curated by Lia Gangitano and Joseph Wolin. 1998 Abstract Painting, Once Removed, Contemporary
Arts Museum, Houston TX. Curated by Dana Friis-Hansen. (catalogue) Color Fields, Luckman Fine Arts Gallery,
Cal State LA, Los Angeles, CA. Curated by David Pagel. Biomorphic Abstraction, Curt Marcus
Gallery, NY, NY. L.A. Current Looking at the Light, 3
Generations of LA Artists, UCLA at the Armand Hammer Museum
of Art and Cultural Center, Los Angeles, CA WAHLVERWANDTSCHAFTEN, Art &
Appenzel, Appenzell, Switzerland Hirsch Farm Project Now: Speculative
Environment, Theme Song and Wisconsin Open House, MCA, Chicago PhotoImage: Printmaking 60’s to 90’s,
Museum of Fine Arts, Boston, MA LA or Lilliput? Long Beach Museum of
Art, Long Beach, CA, Curated by Michael Darling. (catalogue) Flaming June, works on paper, inc. Los Angeles,
CA. Curated by Sarah Gavlak. Love at the End of the Tunnel, or
the Beginning of a Smart New Day, COCA, Seattle, WA. Curated
by Marilu Knode. (catalogue) Time Dilates at Three-Day Weekend,
Tomas Studios, NY, NY. Curated by
Dave Muller The Unreal Person, Huntington Beach Art
Center, Huntington Beach, CA. Curated by Irit Krygier
(catalogue) Three Day Weekend, Krinzinger Gallery,
Vienna, Austria. Curated by Dave Muller In the Polka Dot Kitchen, Otis Art
Gallery, Los Angeles and The Armory Center for the Arts, Pasadena,
Curated by Sally Elesby (catalogue) [Re]
Mediation: The Digital in Contemporary American Printmaking, East Gallery,
Contemporary Art Museum, University of South Florida 1997 Enterprise, ICA, Boston, MA. Curated by
Christoph Grunenberg (catalogue) Elusive
Paradise, Museum of Contemporary Art, Los Angeles. Curated by
Connie Butler and Stacia Payne. Best
of the Season, Aldrich Museum, Ridgefield, CT. Curated by Harry
Philbrick. New Acquisitions and Work from the Permanent
Collection, Los Angeles County Museum of Art, Los Angeles, CA No Small Feet, Rhona Hoffman Gallery,
Chicago [re] - meditation: The Digital in
Contemporary American Printmaking, 22nd International Biennial of Graphic Arts,
Ljubljana (catalogue) Her Eyes are a Blue Million Miles, Three
Day Weekend in Mälmo, Sweden. Curated by Dave Muller. Ten Los Angeles Artists, Stephen Wirtz
Gallery, San Francisco, CA New Grounds, University of South Florida
Contemporary Art Museum, Tampa, FL 1996 Landscape Reclaimed, The Aldrich Museum,
Ridgefield, CT. Curated by Harry Philbrick. (catalogue) Just Past: The Contemporary in MOCA's
Permanent Collection, Museum of Contemporary Art, Los Angeles, CA True Bliss, LACE, Los Angeles, CA (catalogue) Muse-X Editions recent publications,
Santa Monica Museum, Santa Monica, CA Sally Elesby/Pae White, Four Walls, San
Francisco, CA. Curated by Lisa Overduin. Mod Squad, Spanish Box, Santa Barbara,
CA. Curated by Michael Darling. Ginny Bishton Richard Hawkins Pae White,
Richard Telles Gallery, LA, CA Open House, Williamson Gallery, Art
Center College, Pasadena, CA Curated by John O’Brien (catalogue) 1995 HAWAII, with Jorge Pardo, Friedrich
Petzel Gallery, NY, NY. Saturday Night Fever, Tom Solomon’s
Garage Los Angeles, CA. Curated by Michael Cohen and Catherine Liu. filmcuts, neugerriemschneider, Berlin,
Germany neotoma,
Otis Gallery, Otis College of Art and Design, Los Angeles, CA Curated by Renée
Petropoulos and Ann
Ayers. Youth Culture ate My Dog (but I
don't really mind), TBA, Chicago, IL Curated by
Kathryn Hixson, Joe Scanlan and Irene Tsatsos. (catalogue) Smells Like Vinyl, Roger Merians
Gallery, New York, Curated by Sarah Seager and Thad Strode. Message is the Medium, Castle Gallery,
College of New Rochelle, New York 1994 Pure
Beauty, The American Center, Paris, France and MOCA, Los Angeles. Curated
by Ann Goldstein. Notational Photography, Petzel/Borgmann
and Metro Pictures, New York, Curated by Friedrich Petzel. The Art of Seduction,
The Center Gallery at Miami Dade Community College, Miami, Florida. Curated by
Bonnie Clearwater. (catalogue) Watt,
Witte de With, Rotterdam and the Kunsthal, Rotterdam. Curated by Goose
Oosterhof and Chris Dercon. Identity: The Logic of Appearance,
Krinzinger Gallery, Vienna, Austria, Curated by Shoshana Blank. Bad Girls, The New Museum, New York.
Curated by Marcia Tucker. Plane Structures,
Otis Art Gallery, Los Angeles, Renaissance Society, Pittsburgh Center for the Arts,
and White Columns,Wesleyan University Center, Nevada Institute of Contemporary
Art, The University of North Texas Art Gallery. Curated by David Pagel. (catalogue) The Green Show, Bradley Building, Los
Angeles. Curated by Wendy Adest. Transtextualism, Mark Moore Gallery,
Santa Monica, CA. Curated by Sabina Ott. 1993 Cherry Bomb, Southern Exposure, San
Francisco, California. Curated by Mike Blockstein and Meg Mack. TIMES, Anderson O’Day Gallery, London,
England, curated by Andrew Cross. Home Alone, Bliss Gallery, Pasadena,
California. Curated by Michael Cohen. The Imp of the Perverse, Sally Hawkins,
New York, NY. Curated by Alisa Tager. Sugar n’ Spice,
Long Beach Museum of Art, Long Beach, California. Curated by Carolanne
Klonirides and Noriko Gamblin. (catalogue) Into the Lapse,
Karsten Schubert, London, Friesenwall 120, Cologne, Germany, Dogenhouse, Leipzig, Bruno Brunnet Fine
Arts, Berlin, The Royal Danish Academy of Art, Copenhagen (catalog), Société
des Expositions, Palais des Beaux- Arts, Brussels, Curated by Brian D.Butler
and Jean Rasenberger. 1992 Summer Show, Shoshana Wayne Gallery,
Santa Monica, CA Group Show, Elizabeth Koury, New York,
NY Recent
Purchases From the Roseview Collection, Roseview Museum, Los
Angeles.Curated by Sally Elesby Detour, International House, New York,
NY, curated by Barbara Duncan and Sandra Antelo-Saurez. (catalogue) 1991 The Lick of the Eye, Shoshana Wayne,
Santa Monica, California, curated by David Pagel Sam Durant, Ed Suman, Andrew Winer and Pae
White, Parker Zanic, Los Angeles, CA Window on L.A., L.A. Art Fair. Curated
by David Pagel. (catalogue) 1990 Mixed Media, Mixed Messages, Lang Art
Gallery, Scripps College, Claremont, CA. Curated by Paul Darrow. The White Show,
W.C. Gallery, Art Center College of Design, Pasadena, CA. Curated by Tom Dolan
and Mark Stritzel. Art Center and UCLA at Cal Arts,
California Institute of the Arts, Valencia, CA BIBLIOGRAPHY
2009 Galler, Baudouin, Pae
White chez Xavier Hufkens, 30 – 31 January 23, 2009 VIF Art
Now 3, Hans Werner Holzworth (ed) Taschen Verlag pp. 508 - 511 illus. Knight,
Christopher. An Invitation to Marvel,
Los Angeles Times, D16 and D17, illus. Pagel,
David. A touch of melancholy, Los
Angeles Times, Friday, June 5, 2009, pg D18 Making
Worlds, exhibition catalogue for 53rd Venice
Biennale. illus. pgs 166 – 167 Milia,
Maria. I chioccolatori alla Biennale
d’arte, MessaggeroVeneto, Sunday, June 7, 2009 X “Environments”,
I.D., July/August 2009, pg.75, illus. Ferguson,
Russell. I Had Never Seen Anything Like
It, catalogue text to accompany exhibition and catalogue “Larry Johnson”,
organized and presented by the Hammer Museum, Los Angeles, illus. pg 69 The Judith
Rothschild Foundation, Contemporary Drawing Collection, Catalogue Raisonné,
Published by the Museum of Modern Art, 2009, illus. p. 281 “Art Basel
Gets Creative” New York Times, Weekend Arts, p. C28 Strauss,
Bryson. “A Natural Muse”, Artillery magazine, Vol. 4 Issue 1,
September/October 2009, pp. 58 -59, illus. 58 il Venezia,
cover image, June 5, 2009 Baker,
Kenneth. Pae White, San Francisco Chronicle,
Saturday, October 10, 2009 p. E2, illus. Buckley,
Annie. Pae White, www.artforum.com, 05.25.09 Reed,
Victoria. The Port is ‘moving in a new
direction’, The San Diego Union Tribune, Sunday, November 15, 2009,
Section E, pg E7 2008 Pae
White - Lisa Bright and Dark, exhibition catalogue, Scottsdale Museum of
Contemporary Art, Scottsdale, Arizona Centre
D’Art Contemporain La Synagogue de Delme, Published by les presses du réel,
Corinne Charpentier (ed.), illus. pp. 142 – 151 Herbert,
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November 2008, pp. 321 – 322. illus. Stoker,
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Culture Wars, Friday, 28 November, 2008. www.culturewars.org.uk Sherwin, Skye. Pae White, 10, Winter 2008 pages 102 – 103, illus. Grabner, Michelle. Makers and Modelers: Works in Ceramic, X-TRA, Volume 10
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White at Galleria Francesca Kaufmann, Artforum, September 2008, p.
479, illus. Under the
Influence Pae White, ArtReview, September 2008, Issue 25, p. 40 Legende,
exhibition catalogue, Alexis Vaillant (ed) published by Domaine Departemental
de Chamarande, Sternberg Press, p. 207 illus. GSA Art in
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93 Coomer, Martin. Pae White, Modern Painters March 2008, p. 85 illus. Folkestone
Triennial, exhibition catalogue, published by Cultureshock
Media Ltd. On behalf of the The Creative Foundation, Folkestone, Kent UK, pp. 108 – 111 illus. 2007 Stein,
Jerry. Art From Anything, The
Cincinnati Post Wulff, Friederike. Pae White, Artinvestor, March 2007, pp. 58 – 61 illus. Sculpture
Projects Muenster, Edited by Brigitte Franzen, Kasper König and Carina
Plath, Published by Verlag der Buchhandlung Walter König, Cologne Germany, pp.
287 – 293, illus. Idylle,
Traum und Trugschluss (Illusion and Delusion), Edited by
Oliver Zybok, Published by Hatje Cantz Germany, pp.
241 – 243. illus Wulf,
Friederike. Pae White, ArtInvestor,
Nr. O3/2007, pp. 58 -61, illus. Collector’s Choice: Collection 2,
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exhibition booklet, Hirshhorn Museum and Sculpture Garden Dixon, Glenn. Step Into My Parlor, The Washington Post Express Paper,
March 8, 2007 “Darling, take Fountain”, exhibition
catalogue. Kalfayan Galleries, Athens, Greece. Curated by Konstantin Kakanias. Illus.
84 – 85 DLD Book for Friends, Published by
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around the Pool, Contemporary Drawings, exhibition
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Villa Arson, Nice, France. Illus. pp. 88, 89, 92, 93 and 96 Sansom, Anna. Under the Carpet, DAM No. 14, December 2007 – January 2008,
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cat.), Triennale di Milano, Milan, Italy. Texts by Luigi Settembrini, Claudia
Gian Ferrari, Consuelo Císcar Casabán, Paolo Mereghetti and Francesca Sorace.
Electra Publishers pp.103-106 and 178 – 181, illus. Artner, Alan G., An old way of playing with light, new results, Chicago Tribune,
May 19, 2006 p. 27 HyperDesign,
catalogue to accompany exhibition. Published by the Shanghai Fine Art
Publishers, Shanghai, China. Editors Fang Zengxian and Xu Jiang Illus. pgs 160
- 163 Browne, Alix. Perchance to Dream, New York Times Style Magazine, Design
Fall 2006, p. 54, illus. Eva Hesse:
Sculpture, The Jewish Museum and Yale University Press, p. 46,
p. 47, illus. Myers,
Terry, Pae White, Time Out Chicago,
May 25 – June 1, 2006, p. 70 illus. Glass:
Material Matters, Los Angeles County Museum of Art, Los Angeles texts
by Howard Fox, p. 48 illus. No.
1, First Works by 362 Artists, Francesca Richer and Matthew
Rosenzweig, Thames and Hudson, p. 404 illus. Durrant,
Nancy. Creative vision with strings
attached, The Times, June 24 – 30, 2006, p. 36 – 37 illus. Hainley,
Bruce. Ongeleide activiteit Los Angeles,
Deel 2 Vluchtige notities 1985 – 2006, Metropolis M, No. 3 2006
June/July pp. 75 – 79 and 106 – 107, p. 78 and 106 illus. Karr, M.J.,
Accommodate, exhibition catalogue,
St. Paul St, School of Art and Design, AUT University, Aukland, New Zealand,
Curated pps 1 and 4, illus. Hainley,
Bruce. Artquake, The New York
Times Magazine, October 1st, 2006, pp 78 – 85 Clifford,
Andre. Highly mobile whirl of form and
colour, The New Zealand Herald, October 4, 2006. Pp Frieze
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Guide, December 23-20, 2005, p.33 Angeleno
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David. “Extreme Abstraction”, ArtUS, issue 10, October-November, 2005 p.
33 illus. Inner
Cities, ArtReview, March 2005, p. 60, illus. Transportation,
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Alex Coles (ed) Tate Publishing, London, UK, p. 136 illus.. LA
Artland, Chris Krauss, Jan Tumlir and Jane McFadden (ed),
Black Dog Publishing, London, UK, illus. pp. 68 - 69 Peinture:
Cinq Regards, Vincent Pecoil (ed), Editions du Regard, Paris,
France, p. 22 illus. Brian Wilson, An Art Book, Published
by Four Corners Press, London, UK illus. 128, 135 Clare, Jessica. Sweeney
slips to side, Highlander, Tuesday, January 11, 2005 p. 16 Gaasch, Cynnie. Juicy
Cool, Artvoice, July 21-27, 2005 p. 18 Coles, Alex. Functioning
Decoration, contemporary, issue 75, p. 22 - 25 Pagel, David. Accessible
riot of lines and colors, Los Angeles Times, Friday, September 23rd,
pg E23 Extreme Abstraction, Published
by The Albright Knox Art Gallery, Buffalo, NY Finch,
Charlie. Buffalo Soldier, www.artnet.com, Tuesday, August 9, 2005 “Suspended
Matter” The New York Times magazine, Design Fall 105 - 106 Krebber,
Michael, Alien Hybrid Creatures, p.
63 illus. 2004 Vogue
Italia, January 2004, A Pure and
Simple Fashion Story p. 154 -
161, p. 160 illus. The magnificent seven, Artreview,
October 2004, p. 35 Frieze Art Fair, Art & Auction,
October 2004, p. 82 Von
Haase, Bettina. Londra lancia la sfida
del contemporaneo, Panorama, Oct. 7, 2004 Corbetta,
Caroline, Art in Fair, L’Uomo
Vogue, October 4th Rainbow Rovers gather for art fair, Birmingham
Post, October 18th Searle,
Adrian. Her Dark Materials, The
Guardian, October 19th, p. 12 - 13 The Art of Rover, Autocar Magazine,
October 26th Frieze already an established British
tradition, The Art Newspaper, October 2004 Camhi,
Leslie. People are Talking About Art,
Vogue, November 2004 Pécoil,
Vincent. Pae White, Flash Art,
October 2004, p. 130, illus. Nelson,
Arty. The Many Colors of Pae White LA
Weekly, p. 46, illus. Cheng,
Scarlet. String music, improvised, Los
Angeles Times, Thursday, Feb. 26, 2004 p. E16 - 17 illus. Tumlir,
Jan. Pae White UCLA Hammer Museum, Artforum,
Summer 2004, p. 255 Pecoil,
Vincent. Amps and Ohms, Ohms and Amps,
Zéro Deux No. 37, automne 2004, pgs. 24 - 25, illus. Lavrador, Judicaël. Modes & Travaux, les
Inrockuptibles, June 13, 2004, issue 449, pgs. 60 - 61, illus. Pagel,
David. Filaments hold the firmament, Los
Angeles Times, Friday, Feb. 13, 2004 p. E22 illus. A
Secret History of Clay exhibition catalogue, Tate Liverpool, illus. Pg 89 Charlesworth,
JJ. Deep Surfaces: The Hallows of Glamour,
Annual Herbert Read Gallery, Kent Institute of Art and Design, illus. 71, 72, 73, 95-101 Allen,
Jane Ingram. “Beacon New York, A Sculpture Destination”, Sculpture,
July/August 2204, pgs. 41 - 45 Ramade, Bénédicte. Pae White, la versatilité comme vertu, L’OEIL, Septembre
2004, pgs. 22 - 23 illus. Von
Schlegell, Mark. String Theories, art
on paper, March/April 2004, pgs. 58 - 59 illus. Behn,
Andrea. Pae White, Gingeråle,
pgs. 44-45, illus. LaFuente,
Pablo. If I could change…, ArtReview,
82 - 83. illus. Riding
Metro Now an Artistic Experience, Tolucan Times &
Canyon Crier, April 7, 2004 Sensi
Contemporanei in Campania, La Biennale di Venezia and Mario AddaEditore,
Bari, Italy, illus. 62 2003 Corbetta,
Carolina. Glitter, Vogue Italia,
January, 2003, p. 63 illus. Tumlir,
Jan, Spinning One’s Wheels in L.A., Flash
Art, 102 - 105, illus. Pae
White Hotlist, Artforum, Feb. 2003, p. 38 Sculpture Forever. Flash Art,
July/September 2003, 107 illus. Morozzi,
Cristina. Borderline Branches The
Plan 138 - 139 illus. Princenthal, Nancy. A 10-Part Hello Along the Hudson, The New York Times, Arts
and Leisure Section, 20, Eggel, Caroline and Christiane Rekade, Malewitsch Neue Review, Mai 2003,
pp. 10 - 11 Casciani,
Stephano, In assenza di gravità, Domus
(fashion supplemento), April 2003, 74 illus.. Casadio,
Mariuccia. Set Design, Vogue Italia, March 2003, 602 illus.. Scott,
Andrea, “It’s not just men on horses anymore”, Time Out, New York, May
29-June 5, 2003, p. 69 Boettger,
Suzaan. “Report from Beacon”, Art in America, June 2003, p. 39 Kastner,
Jeffrey. “Watershed”, Artforum, October 2003, p. 175 Pederson,
Victoria. “Hudson News”, Art & Auction June 2003 David,
Joshua, Happening Valley, Gourmet,
April 2003, p. 60 Romeo,
Filippo, Customizing, Case da
Abitare, Aprile, 2003, p. 64 Circles (exhibition cat.) Editor,
Christoph Keller, pp. 162 - 163 2002 Prina,
Stephen, The Museum of Contemporary Art, Los Angeles, Annual Report 2001 -
2002, p. 33 Laurence, Robin. Of
Costumes, Clouds, and Culture, The Georgia Straight, April 25 - May
2, 2002, p.62
Morgan,
Lynn. L.A. Louver’s Rogue Wave, California
Homes, Winter 2001/2002, pp. 110 - 114 Coomer, Martin. Pae
White, London Time Out, Jan. 30 - Feb. 6, 2002, p. 46 Pae White:
Ghost Towns, (ex. cat.), Greg Burke (ed.), text by Alessio delli
Castelli, Govett Brewster Art Gallery, New Plymouth, New Zealand Art
Now, Uta Grosenick (ed) Taschen Verlag pp. 532 - 535 illus. Women
Artists, Uta Grosenick (ed) Taschen Verlag, pp. 542 - 547 illus. Psibilskis,
Liutauras, 8th Baltic Trienniel, Flash Art, October 2002, p. 99 illus. Higgie, Jennifer. Luxe,
calme et volupté, Frieze, Issue 66, April 2002, p. 64 - 69 Andersson, Patrik, Pae White, Tema Celeste, September/October, p. 95 Haynes, Rob. All
that Glitters on Show, Metro, July 2002 Hunt, Ian. Shimmering
Substance, Art Monthly, June, 2002, p. 39 - 42 Clark, Robert. Time
to untangle theoretical threads, ArtReview, June, 2002 Gledhill, David, substance
and style, City Life, July 31 - Aug. 8, 2002 Smith, Juliet, Visiting
artist considers changing urban landscape, The Daily News, Monday,
August 5, 2002, p. 4 Extra
Art: A Survey of Artist’s Ephemera, 1960-1999 exhibition
catalogue, published by Smart Art Press, exhibition at the California College
of Arts and Crafts, San Francisco, CA, Curated by Stephen Leiber, p. 186,
illus.. Pagel, David. “New
Works” Show Reopens the Pasadena
Armory, Los Angeles Times, Friday, April 19, 2002 p. F24 illus. Coles, Alex. Art
Décor, Art Monthly, Issue 253, Feb. 2002, pp. 7 - 10 Sherman, Sam, Strolling
Through an Ancient Shrine and Garden, Contemporary, July/August
2002, p. 153 Ebner, Jörn. Aur
Liebeskummer der Rollschuh-Unfall, Frankfurter Allgemeine Zeitung,
Feb. 9, 2002, S. 58 Myers, Terry R., The American: New Art, artext,
Spring 2002, p. 81 - 82 Just Call
it Art on the Hudson, The New York Times,
December 13, 2002, E39 Wakefield, Neville, l.a. story, Travel and Leisure, Feb. 2002, p. 128 Farquason, Alex. The
American: New Art, Artforum, March 2002, p. 136, illus. McLaughlin, Amy, Artwork
takes shape at Library, Chicago Daily Herald, March 5, 2002, p. 4 2001 Knight,
Christopher. The Everyday on a Pedestal,
The Los Angeles Times, Wednesday, January 31, 2001 p.F1 and F8 Berg,
Ronald, “Form follows form”, Der Tagesspiegel, February 10, 2001 Corrigan,
Susan, “New York Sucks”, ID, September 24, 2001, pp. 183 - 191 Herbert,
Martin, “State of the Arts”, Art Review (London), Autumn, 2001, pp. 50 -
51 The
Americans, New Art, published by Booth-Clibbons Editions, pp. 77 - 83,
illus. illus.. Art Issues, September/October
2001, pp. 35 - 39 Cutter,
Kimberly, “East Side Story”, W, September, 2001, pp. 204 - 208 Sharp,
Amanda, “The Americans”, Arena Homme +, Autumn, 2001 Unruh, Rainer; Junge
Kunst aus Kalifornien; Kunstforum International; April-Mai 2001; Bd.
154, p. 384 - 385 “Pae White”, Women Artists, Taschen Publishers Stange, Raimar; Über
Pae White; Artist Kunstmagazin; 2/2001, p. 4 - 7 Végh,
Christina; Pae White: Die (unerträgliche)
Leichtigkeit des Seins; Catalogue. Zero Gravity; Kunstverein für die
Rheinlande und Westfalen, Düsseldorf; 21.4. - 17.6. 2001 Imdahl, Georg; Raus
aus der klaustrophobischen Bodenstation; Frankfurter Allgemeine Zeitung;
5. Mai 2001, Nr. 104, p. 44 2000 Sozanski,
Edward J., “Along the fuzzy boundary between design and art”, The
Philadelphia Inquirer, Sunday, February 13, 2000, A - 11 Cienfuegos,
Ingeborg. “Konst på gränsen”, Aftonbladet, May 5, 2000 Gerell,
Boel. “Behovet av en förlaga”, Kvällsposten, July 23, 2000 Olsson,
Thomas. “Moderna Museet tänker om”, Ystads Allehanda, May 5, 2000 Vickström,
Lars. “Utställning med alltför få tankar”, Arbetet Ny Tid, May 21, 2000 Scanlan, Joe., “What’s the Use”, Eyestorm,
http:www.eyestorm.com/feature/ED2n_article.asp?article_id=122 Myers,
Terry R., “Pae White”, Art & Text, May 2000 1999 McFarland,
Dale. “Pae White, geengrassi, London”, Frieze, March, 1999 Pagel,
David. Los Angeles Times, Friday, December 17, 1999 pg F34 Freeman,
David. “Pae White and Victor Estrada at Finesilver”, VOA, July 99, pp.
14 - 16 Krygier, Irit. “Report from L.A.”
http://www.artnet.com/magazine/reviews/krygier/krygier6-3-99.html#11 Intra,
Giovanni. “La struttura mobile”, Tema Celeste, February, 1999, pp.50 -
55 illus. Frank,
Peter. “Color Fields”, L.A. Weekly, January 8 - 14, 1999 Brinsfield, James. “Signing and Signifying Abstract
Art Returns” Kansas City Review, June, 1999 p. 18 Thorson,
Alice. “Show will please, but not with ease”, May 16, 1999, J-1 illus. Holland,
Cotter, “Soho is still very much Soho”, The New York Times, Friday,
February 12, 1999 1998 Johnson,
Patricia. “Abstract artists redraw boundaries of painting”, Houston
Chronicle, Oct. 7, 1998 Dawson,
Angela. "Into the Streets". Adweek, vol. XLVIII No. 8,
February 23, 1998 Wilson,
William. “Food Preserved With a Twist”, Los Angeles Times, Tuesday, Oct.
20, 1998 F5 Johnson,
Ken. “Biomorphic Abstraction”, New York Times, Friday, December 11, 1998 “Best
Bets in and around Orange County”, Los Angeles Times, April 23, 1998.
Calendar Weekend, p. 4R Curtis,
Cathy. “Dressing the Flesh”. The Los Angeles Times, May 12, 1998, F2 Knaff,
Devorah. “ Cameras in the Realm of the
Unreal”, The Orange County Register, May 3, 1998. Show sec. p. 34 Mendenhall,
Lauri. “ Digital Deception”, Coast
Magazine, June 4, 1998. p. 33 “The
Unreal Person: Portraiture in the Digital Age”, Art Scene, June 1998, Vol. 17,
no. 10, p.16. Marlos,
Daniel. “What’s That Bug?”, American Homebodies, July 1998 Wilson,
William. “Lilliput’: Small Art in the Big City of L.A.” Los Angeles Times,
Tues., Nov. 24, Schoenkopf,
Rebecca. “I Loathe LA”, Orange County Weekly, December 18 - 24, p. 36 Lunenfeld,
Peter, “The Alchemical Portrait”, Telepolis 1997 Scanlan,
Joe. "Pae White", Frieze, November-December 1997, pp. 89 - 90 Lunenfeld,
Peter. “Jennifer Steinkamp, Light in Space” Art/Text 58, p. 62 Hill,
Shawn. "The pursuit of absence", Bay Windows, August 28, 1997,
p. 30 Temin, Christine. "Christoph Grunenberg is
bringing the world to the ICA". The Boston Sunday Globe, July 13,
1997 Zimmer,
William. "A Gallery Sampler at the Aldrich", The New York Times,
December 14. 1997 Brennan,
Michael. "Pae White at I-20" Art-net, http://www.artnet.com "Oblique
Strategies", EYE, Vol. 6, Spring 1997, p. 34 - 35 "Papier
in den Reißwolf, Draht ums Blatt", Art, November 1997, p. 22 illus. "Not
Your Average Christmas Cards", I.D., March/April 1997, p. 33 Huffstutter,
P.J. "Digital Fine Art", Dailey News, Jan. 20, 1997, p. B-1 Duehr,
Gary. "Beam up to the ICA's Enterprise"
The TAB, July 29 - Aug. 4, 1997, p. 2B Silver,
Joanne. "Work in process". Boston Herald, July 25, 1997, p.
S11 and S 13. Millis,
Christopher. "All too clear". Phoenix Aug. 4, 1997 Termin,
Christine. "Enterprise invites viewers to pitch in", Boston Globe,
D1 and D8 1996 Smith,
Roberta. "Testing Limits at the Corcoran", New York Times,
January 6, 1996 Princenthal,
Nancy. "The Ghost's Machine" (cat.) illus. 1996 Joyce,
Julie. "Fertile Ground, Neutral Territory" (cat.) illus.1996 O'Brien,
John. Open House, exhibition catalogue published by Art Center College
of Design, Pasadena, CA, pp. 74 and 98 illus. 1995 Clothier,
Peter, “Pure Beauty”, ARTnews, February 1995, p.132 Pagel,
David, "Pae White", Art Issues, Nov/Dec 1995, p.44 Kandel,
Susan, Los Angeles Times, Thursday, September 28, p. 10 O'Brien,
John "New Alternatives", Art Papers, Vol. 19, Nov/Dec 1995, p.
29 Auerbach,
Lisa Anne. "Table Games", Los Angeles Reader, March 31, 1995.
Vol. 17. No. 25, p.13 1994 Clearwater,
Bonnie. “The Art of Seduction” (cat.) 1994 illus.. DOMUS,”Projetti Projects,
Frank O. Gehry”, N. 764, p. 38 Pagel,
David., “Urban Divisions, the Green Show”, Los Angeles Times, August 4,
1994, p.F5 Pagel,
David. “Looking Into Seeing”, Plane
Structures (catalogue essay) Scanlan,
Joe. “Motivation and Time in the Work of Certain Los Angeles Artists”, PlaneStructures,
(catalogue essay) Wilson,
William. “‘Pure Beauty’: Irony Becomes Stale Second Time Around”, Los
Angeles Times, Sept. 28, 1994 Breerette,
Geneviéve, “Tout nouveau, tout beau”, Le Monde, June 8, 1994 “Sketches”, Outlook, Friday, September 9, 1994. Sullivan,
Meg. “ Expect the Unexpected from Latest
Art Exhibit”, Daily Bulletin, Friday, September 23, 1994. p. F2 “The Best of the Weekend”, Los Angeles
Times, Friday, September 23, 1994. Donohue,
Marlena. “New Definition of Pure Beauty”, Daily Breeze, Tuesday, September 27,
1994. Life/Art sec. p. A9. “Pure Beauty: Some Recent Work from Los
Angeles”, San Diego Weekly, September 28, 1994. Mongo,
Carol. “ Art for Art Spaces”, The
Paris Free Voice, September, 1999. p.7. Sullivan,
Meg. “Beauty in the Artist’s Eye”, Art
Beat, September, 1994. Irvine,
John. “Beauty in the Eyes of the Beholder”, Los Angeles Times, Tuesday,
October 11, 1994. Arts and Entertainment sec. p. 27, p. 23 illus. Barden,
Lane. “In the Eye of the Beholder”, Artweek, Nov. 17, 1994, p.10 Tumlir,
Jan. “A conversation with Pae White”. Artweek, Nov. 17, 1994, p. 11 Turner,
Alisa. “The Art of Seduction”, ARTnews, Summer 1994 Muchnic,
Suzanne. “Bliss, Food House, and Hello Artichoke”, Artnews, May 1994, p.
125 illus. van
den Boogerd, Dominic and David Lillington“It’s real, but very fucked up”,Metropolis
M, March, 1994 Turner,
Elisa. “Seducing Viewers With Questions of Art ” The Miami Herald,
January 30, 1994, p.101 Kraft,
Scott. “But Will the French Thank Us?” Los Angeles Times, June 5, 1994.
p.6 Koshalek,
Richard. “American Center in Paris”, art press. June 1994, p.20 Colas,
Sandrine. “pure beauty”, Galeries, France, June, 1994, p. 4 1993 Kandel,
Susan. “Pae White”, Art issues, September/October 1993, p. 43 Lillington,
David. “TIMES”, Metropolis, no.4, 1993, pp. 47 - 49. Barrie,
Lita., “A Forest of Toys”, Visions,
Winter 1993, pp. 23 - 24 Meyers,
Terry R. “Girlfriend in a Coma: Notes on a Proposed Exhibition”, Blocnotes,
no. 2, Spring 1993, pp.12 - 13 Eisenstadt,
Aron. “The Long Beach Museum of Art February 28 to May 23”, The Long Beach
Union, March 1, 1993. p.3 Saltzgaver,
Harry. “Sugar and Spice More than Just Nice”, Grunion Gazette, March 4,
1993. Interview with David Pagel, Bomb, Summer 1993,
pp.12 - 14 Anderson,
Michael. “Sugar n’ Spice”, Art Issues, May/June 1993, p. 39 Curtis,
Cathy. “Nice n’ Subversive”, Los Angeles Times, Orange County
Edition.Thurs.,3/18/93, p. 4 Gamblin,
Noriko. “Sugar n’ Spice” exhibition catalogue published by Long Beach Museum,
Long Beach, CA “LBMA Opens Sugar n’ Spice by a Dozen Women
Artists”, Seal Beach Leisure
World Golden Rain News, February 18, 1993 King,
Debra. “Women’s Perspective in Art”, Westart, March 28, 1993, p. 3 Pagel,
David. “The Strange House That Pae White Built”, The Los Angeles Times,
Friday, Feb. 19, 1993. p. 20 Frank,
Peter. “Intriguing works by a new generation of women artists...” Long Beach
Press Telegram, March 12, 1993, p.14 1992 Relyea,
Lane. “Politically Correct/Incorrect”, Artspace, July/August, 1992,
pp.28 - 30 Tager,
Alisa. (essay) Detour (catalogue) 1992 1991 Kandel,
Susan. “L.A. in Review”, Arts, November, p. 97 Pagel,
David. “Window on L.A.” catalogue essay Rugoff,
Ralph. “Missing Persons”, L.A. Weekly, August 2, 1991, p. 27 Gilbert-Rolfe,
Jeremy. “Slaves of L.A. and
Others”, Artspace, Summer, 1991, p. 72 SPECIAL PROJECTS/PUBLIC
COMMISSIONS 2011 McCarren
Pool, New York 2010 North
Embarcadero Visionary Plan, San Diego, California 2009 W
Hotel 90 Second Sun, Gloucester Road Tube
Station, London, UK Residency,
For-Site Foundation, Nevada City, California Self Roamimg, overall artist project,
Miami Basel Art Fair, Miami Beach, Florida 2008 MetaFoil, Stage Curtain for New Opera
House, Oslo, Norway Bugscreen, Celebreeze Plaza, Cleveland,
Ohio. GSA Excellence in Art and Architecture Program 2007 DLD07,
Munich Germany Artist Project Fabric
Workshop and Museum, Philadelphia Honorable
Mention in the Skin of Corian
competition Kultur
Spiegel, Artist Page, pp. 24 – 25 2005 Unknown Celebration,
billboard project, Barts and the London NHS Trust, London, UK Essences in
Sensées, St. Germain des Prés, Paris, France, arranged by
Anne-Pierre d’Albis and Parcours temporary
mural commission, The Big Wall, Dunedin Public Art Gallery, Dunedin, New
Zealand corner to column - a crawling painting….
Mural commission, Deka Bank, Frankfurt, Germany 2004 Rover Momentum, artist’s
project for the Frieze art fair, London, UK 2003 MultipliCity, Metro Rapid Line with Tom
Marble, AIA Chiacchere Ter et Bantine, Milan, Italy Feast, Selfridge window display, London,
UK curated by Pablo La Fuente Ferragamo
shoe project 2002 Ex-Machina Exhibition Design with Jorge
Pardo, Museum für Angewandte Kunst, Cologne Germany artist’s
spread, Pavement magazine, August/September, 2002, pp. 152-153 Double Vision, collaborative photo
project with Mario Testino, V magazine, July/August, 2002 2001 Thoughts on Owls by Men of Letters,
Window design for Galerie Daniel Buchholz, Cologne Capitol East End Complex, Block 174. Sacramento,
California with Tom Marble, AIA Des Plaines Public Library, Des Plaines, Illinois,
Patti Gilford, Art Consulting Palermo Building, Pasadena, CA, Kathy Lucoff, Art
Consulting 2000 The New Now Sounds of Today! Songpoems by
Twenty-one Contemporary Artists Limited Edition CD produced by Art Issues
Press 1999 Incidental
Illumination, design of a children’s reading room, temporary
commission by Los Angeles County Museum of Art, Los Angeles, CA 1997 ArtPix
II, Houston, Texas, curated by David Pagel. Windows on
Wilshire, window installation for Los Angeles County Museum
of Art, Los Angeles, CA Advertising campaign for the Museum of Contemporary
Art, Los Angeles, CA PRINT WORK Advertisements
for the Albright Knox’s Extreme
Abstraction exhibition in the following magazines: Art
in America Artforum
Summer 2005, pg 249 Sagra
dei Osei, 2009, poster and printed matter for the the 736th annual
international competition of chioccolatori. Sacile, Italy. frieze, contemporary art and culture,
11 full page ads for gallery neugerriemschneider: issue 50, 2000, p. 4 issue
51, 2000, p. 4 issue
52, 2000, p. 4 issue
53, 2000, p. 4 issue
54, 2000, p. 4 issue
55, 2000, p. 4 issue
56, 2001, p. 4 issue
57, 2001, p. 4 issue
58, 2001, p. 4 issue
59, 2001, p. 4 issue
60, 2001, p. 4 issue
61, 2001, p. 4 frieze, contemporary art and culture,
issue 52, 2000, S. 20. Anzeige zur Ausstellung “What
if, art on the verge of architecture and design“, Moderna Museet
Stockholm Corvi – Mora, London, UK China Art Objects Galleries, Los Angeles, CA PUBLICATION DESIGN Jorge Pardo,
Catalogue. Person's Weekend Museum, Tokyo, 1993 Das Ende
der Avant Garde, Kunst als Dienstleistung, Catalogue. Kunsthalle der
Hypo-Kulturstiftung, München, 1995 Jorge Pardo,
Catalogue. Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art,
Chicago, 1997 [re] - meditation: The Digital in
Contemporary American Printmaking, Catalogue. 22nd
International Biennial of Graphic Arts, Ljubljana,1997 Tobias
Rehberger, Jorge Pardo, Garnish and Landscape, Catalogue.
Gesellschaft für Gegenwartskunst, Augsburg 1997 Enterprise,
venture and process in comtemporary art, Catalogue. The Institute of
Contemporary Art, Boston 1997 The 18th
Annual Benefit Auction of Los Angeles Contemporary Exhibitions, Catalogue.
Los Angeles 1998 Global Fun,
Kunst und Design von Mondrian, Gehry, Versace und Friends, Catalogue.
Städtisches Museum Leverkusen, Schloss Morsbroich, Leverkusen, Schloß
Moritzburg, Dresden, Ostfildern 1999 (Gestaltung in Zusammenarbeit mit Jorge
Pardo und Winfried Konnertz) Jorge
Pardo, Catalogue, The Fabric Workshop and Museum,
Philadelphia 1999 W Jorge
Pardo, hrsg. Von Jörn Schafaff und Barbara Steiner im
Auftrag der Landesbank Baden-Württemberg, Ostfildern 2000 Against
Design, Cat. Institute of Contemporary Art, Philadelphia,
PA 2000. Curated by Steven Beyers What if, Catalogue
(and other design collateral). Moderna Museet Stockholm, Stockholm 2000 Jorge Pardo, Catalogue.. Kunsthalle Basel, Basel
2000 (in Zusammenarbeit mit Jorge Pardo, Veronica Gonzales, Kunsthalle Basel) 8th
and Figueroa, Catalogue. for 2001 USC Graduate students, Los
Angeles, CA 2001 Ex-Machina,
Catalogue.. Museum für Angewandte Kunst, Cologne, 2002 with Jorge Pardo The Object
Sculpture, The Henry Moore Institute, Leeds, United Kingdom,
2002 Pae White,
Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New
Zealand, 2003 Extreme
Abstraction, Catalogue (and other design collateral), Albright
Knox Art Gallery, Buffalo, NY 2005 BOOK
COVER DESIGN DLD Book for Friends, Published by
NIGHTFROG and Hubert Burda Marketing & Communications Gmbh, 2007 Women Artists, Taschen Books, 2004 MAGAZINE COVER DESIGN Art Review,
May 2004 make,
the magazine of women’s art, issue 88, June-August 2000 Art issues,
summer 2000 make,
the magazine of women’s art, issue 89, September – November 2000 make,
the magazine of women’s art, issue 90, December 2000 – February 2001 make,
the magazine of women’s art, issue 91, March 2001 – April 2001 MULTIPLES/EDITIONS Oblique
Strategies, A More
Universal Edition, Norton Family Christmas Project, 1996 Ponygirl
Edition 1998, 1998, Muse-X Editions, Los Angeles, CA, edition of 6 Untitled Silkscreen Portfolio, Brain Multiples, Los
Angeles, CA, 2000 edition of 20 Jahresgaben,
Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany, 2001 Forumememo,
Artist’s portfolio supporting the Los Angeles Forum for Architecture, edition
of 25, 2004 curated by Tom Marble Essences in Sensées,
St. Germain des Prés, Paris. Arranged by Anne-Pierre d’Albis and Parcours.
Perfume bottle and perfume. 2006 TEACHING Art Center College of Design, Spring/Summer 2007 USC, Spring 2005 Krabbesholm Hojskole, Skive, Denmark, Spring 2004 USC,
Fall 2004 Cranbrook
Academy of Art, Bloomfield Hills, Michigan, Spring, 2003 Claremont
Graduate University, Fall 2002 USC,
Spring 2001 Art
Center College of Design, Spring/Summer 1998 Art Center College of Design, Spring/Summer 1995 LECTURES/PANELS Serpentine
Gallery, London Cincinnati
Art Museum ArtPace, San Antonio, Texas, 2003 Is anybody listening? The
Henry Art Gallery, Seattle, WA College
Art Association (1999 Attention Spam®
moderated by Paul Zelevansky) Glassell
School, Houston, TX Krabbeshölm,
Skivé, Denmark Otis
Parsons Art School, Los Angeles, CA Art
Center College of Design, Pasadena, CA Domus
Academy, Milan, Italy Newport
Harbor Art Museum, Newport Beach, CA University
of Southern California, Los Angeles, CA University
of California Los Angeles, Los Angeles, CA The
American Center, Paris, France The
Museum of Contemporary Art, Los Angeles, CA The
Renaissance Society, Chicago, IL California
Institute of the Arts, Valencia, CA Westridge
School, Pasadena, CA The
Hirsch Farm Project, Hillsboro, Wisconsin Cranbrook
Art Institute, Bloomsfield Hills, MI Govett-Brewster
Art Gallery, New Plymouth, New Zealand Massey
University, Wellington, New Zealand Auckland
Art Gallery, Auckland, New Zealand Unitec,
Institute of Technology, Aukland, New Zealand California
College of the Arts, San Francisco, CA Sonoma
State University, Sonoma, CA Claremont
Graduate University, Claremont, CA Otis
Art Institute, Los Angeles, CA Contemporary
Art Center, Cincinnati, Ohio UC
Irvine, Irvine, California Mills
College, Oakland, CA Scripps
College, Claremont, CA University
of California Riverside, Riverside, CA Contemporary
Art Center, Cincinnati, Ohio Hirshhorn
Museum and Sculpture Garden University
of Las Vegas, Las Vegas, Nevada ASAP,
Maine Peggy
Guggenheim Collection, Venice, Italy GRANTS, AWARDS and FELLOWSHIPS 2009 Getty mid career Fellowship Winner in Environments category of I.D. Magazine's
Annual Design Review Scripps
College Distinguished Alumna Citation
for Excellence in Art and Architecture, “Bugscreen”, Celebrezze Plaza,
Cleveland, Ohio 2007 Durfee
Artist Resource for Completion Grant 2003 City
of Los Angeles (C.O.L.A) Fellowship 2003 Durfee
Artist Resource for Completion Grant 1997 Art Here and Now Purchase,
Los Angeles County Museum of Art 1995 Pasadena
Cultural Affairs Individual Artist Grant
MISC. COLLECTIONS Museum
of Modern Art, New York Tate
Modern, London Los
Angeles County Museum of Art, Los Angeles Museum
of Contemporary Art, Los Angeles The
Art Institute of Chicago Govett-Brewster
Art Gallery, New Plymouth, New Zealand Weatherspoon
Art Museum, Greensboro, North Carolina San
Diego Museum of Art The
Henry Gallery, Seattle Musée
de Chamarande, France Philippe
Rizzo, Paris Francois-Marie
Banier, Paris Peter
Norton, Los Angeles Gabi
and Wilheml Schürmann, Aachen, Germany Konstantinos
Papageorgiou, Kifissia, Greece Tina
Petra, New York Ken Wong, Los Angeles Grigoris
Papadimitriou, Athens Rachel
Lehmann, New York Joel
Mallin, New York Zabludowicz, London Alexander
Kahane, Basel, Switzerland Lorenzo
Sassoli de Bianchi Ken
Kuchin Kim
Light, Los Angeles Ferragamo, Italy Tim
Nye, New York Mario
Testino Ziff
Collection, London Craig
Robbins, Miami Beach Tom
Patchett, Los Angeles Jack
Tilton, New York Walter
König, Cologne Kiki
Smith, New York Bruno
Delavallade, Paris UC
San Francisco Medical School Jumex
Collection, Mexico City Patrick
Charpenel, Guadalajara, Mexico Fondazione
Sandretto re Rebaudengo, Milan, Italy Jeanne
Greenberg Rohatyn, New York Dallas
Price, Los Angeles Mimi
Won Techinten and Warren Techinton, Los Angeles Jaun
Villalonga,, London Elissa
Newton, Toronto Russell
Ferguson and Karen Higa, Los Angeles Penny
Cooper and Rena Rosenwasser, San Francisco Candace
Younger, Los Angeles Suzanne
and David Booth Palm Springs Museum Fredric
Guilbaud, Martinique Michael
Lynne, New York Robert
and Melissa Soros, New York Michel
Dutillard, Paris Angelika
Taschen, Berlin Alessandra
Pampaloni Dwek, Milan Iris
Mink, Los Angeles Paolo
and Kathy Vedovi, Brussels Hammer
Museum, Los Angeles |
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